HOLA, SOY COREÓGRAFO/A. QUIM BIGAS 7 octubre, 2019 Texto de Quim Bigas para la sección `Hola, soy coreógrafo/a´. Idea y coordinación: Mercedes L. Caballero. Hola, soy coreógrafo, ya que pongo gran parte de mi atención profesional en la coreografía. La coreografía la percibo como el movimiento hacia la creación de un lugar, a partir de una […]
Category: Writing
Reflexions durant el procés de DV
[CAST] [CAT] text extret de la web del procés: https://dv.hotglue.me/?pensaments Cuando el usuario del archivo ha estado en él, o en una de sus vertientes, se transforma en una parte del archivo. Una extensión del archivo de las múltiples que podría tener. El sujeto que ha estado en el archivo y se ha relacionado con […]
Dancing Museums, some things
one day Je suís… Mòbil en mà Posseït la imatge. Recognition VS Percetion. (John Dewey p. 54) Perception. We move through things. Have the cap in your hand like if you were in church Passive guard Patterns on the floor. Is that a secret code? One person staring at one painting. The person realizes […]
FCH CHT BCK
Around March 2018 Helsingør Theatre invited me to do an intervention/action on the football match between FCH and FCN inside of the Danish Main League. Through that invitation, I have engaged on an ancounter of different levels. As a way of framing the video that you will be able to see at the end of […]
Round table EDN: “Which kind of memory are we interested in?”
19, 20, 21… days ago I was sitting in a circle with other people that commute to the broad field of dance in Europe. From our various perspectives and realities we were having a conversation triggered by the following question: “Which kind of memory are we interested in?” Today I searched for the etymology of […]
APPRAISERS/Nombrar
Project(e) i(e)n reside(è)nci(y)a a(t)/en LA CASA ENCENDIDA/CA2M, Madrid. Presentación 25 de Enero, 2018. La Casa Encendida. Con: Paulina Chamorro, Laura Ramírez, Ana Macdewont, Ángela Segovia, Uriel Fogué, Javi Cruz y Raquel Tomàs. Post- o Pre- con afectos o restos de Ursula K.Le Guin, Graham Harman, Franz Fanon, Bruno Latour, El diccionario de sinónimos, La pared […]
Conference How to make dance relevant 4 · Analysis of best practices ·
25 cases were included in a catalogue that might face, in one way or the other, the topic of relevance in dance. Then, 25 cases talks implicitly about their way of dealing with a certain urgency with dance as one of its main agents. 25 cases are talking implicitly about institutions, responsibility and relevancy in […]
A POSSIBLE MANIFESTO ON DOCUMENTING AND DOCUMENTATION.
A POSSIBLE MANIFESTO ON DOCUMENTING AND DOCUMENTATION. 1. DOCUMENTING AND DOCUMENTATION ARE NOT THE SAME. 2. A DOCUMENT HAS POTENTIAL. DOCUMENTATION HOSTS POTENTIAL. 3. YOU DOCUMENT. 3.1. YOU CAN DOCUMENT SOMETHING THAT BECOMES DOCUMENTATION. 4. DOCUMENTATION IS A CONSEQUENCE OF THE PRACTICE OF DOCUMENTING. 4.1. DON’T GIVE FOR GRANTED THAT IF YOU DOCUMENT YOU HAVE […]
Self-interview on APPRAISERS
** –Hello Quim -Hi Quim -Could you introduce us a bit into your last project? -Well, I’m still not sure if I could call it a project. I have the feeling that I’m generating a project inside another project and, in terms of terminology, it is a bit confusing to talk about it. Although I’m […]
Writing
En Quim col·laborar amb TEA-TRON/MAMBO i Godot Bacelona. Lo que has leído, Quim colabora con TEA-TRON/MAMBO y Godot Barcelona Quim collaborates with TEA-TRON/MAMBO and Godot Barcelona “La Natten me confunde” texto para TEA-TRON/MAMBO después de ver “Natten” de Marten Spangberg CASTELLANO: http://www.tea-tron.com/mambo/blog/2017/10/28/la-natten-me-confunde/ LLOC AL LLOC, article pel llibre “El carrer és nostre” d’Aída Pallarés […]
