APPRAISERS

Ongoing Choreographic Practice by Quim Bigas since 2011. **The project APPRAISERS explores the ramification of formats, concepts and methodologies related to information and data in real time through different production modes. **El proyecto APPRAISERS explora la ramificación de formatos, conceptos y metodologías relacionadas con la información y los datos en tiempo real a través de diferentes […]

APPRAISERS/Nombrar

Project(e) i(e)n reside(è)nci(y)a a(t)/en LA CASA ENCENDIDA/CA2M, Madrid. Presentación 25 de Enero, 2018. La Casa Encendida. Con: Paulina Chamorro, Laura Ramírez, Ana Macdewont, Ángela Segovia, Uriel Fogué, Javi Cruz y Raquel Tomàs. Post- o Pre- con afectos o restos de Ursula K.Le Guin, Graham Harman, Franz Fanon, Bruno Latour, El diccionario de sinónimos, La pared […]

APPRAISERS+Nyamnyam

2017. Sâlmón> Festival invites NyamNyam. NyamNyam invites Quim Bigas. Quim Bigas invites Raquel Tomàs. We all make a system and a encounter between things and phenomena trigger by a little publication.   “Raquel Tomás separa y pone en mesas diferentes a los que vinieron acompañados. La idea, supongo, es generar conversaciones, sinergias distintas a las […]

Conference How to make dance relevant 4 · Analysis of best practices ·

25 cases were included in a catalogue that might face, in one way or the other, the topic of relevance in dance. Then, 25 cases talks implicitly about their way of dealing with a certain urgency with dance as one of its main agents. 25 cases are talking implicitly about institutions, responsibility and relevancy in […]

A POSSIBLE MANIFESTO ON DOCUMENTING AND DOCUMENTATION.

A POSSIBLE MANIFESTO ON DOCUMENTING AND DOCUMENTATION. 1. DOCUMENTING AND DOCUMENTATION ARE NOT THE SAME. 2. A DOCUMENT HAS POTENTIAL. DOCUMENTATION HOSTS POTENTIAL. 3. YOU DOCUMENT. 3.1. YOU CAN DOCUMENT SOMETHING THAT BECOMES DOCUMENTATION. 4. DOCUMENTATION IS A CONSEQUENCE OF THE PRACTICE OF DOCUMENTING. 4.1. DON’T GIVE FOR GRANTED THAT IF YOU DOCUMENT YOU HAVE […]